Tamikrest’s new album is the music of defiance, of hope. They might be threatened on all sides, but they won’t give up, and this album celebrates who the Tuareg are, the Kel Tamasheq (“those who speak Tamasheq”), the keepers of an ancient and endangered cultural voice. “This music was founded on a very precise cause, the Tuareg cause,” Ag Mossa told journalist Andy Morgan in 2013. Yet the Sahara, and the people who live there, is always firmly at its heart. It’s there in the driving, insistent groove that powers the songs, the lean, snaking bass lines and the guitars that twine and twist around the melodies, and the utterly natural musical blending of Sahel Africa, the Maghreb, and the West – a reflection of influences as diverse as Pink Floyd, Rachid Taha, and flamenco. There’s a raw beauty in Tamikrest’s rock’n’roll. It’s an album that’s taken two years to make, Ag Mossa says, “because we share the same difficulties of our people.” And the songs here mirror their joys, their pain and their unwillingness to accept things as they are. Recorded in Bamako, Mali in the summer of 2016, the album was produced by Mark Mulholland (Afro-Haitian Experimental Orchestra) and mixed by David Odlum, who received a Grammy for his work with Tinariwen. Even an acoustic song like “Tanakra” maintains a luminous edge. Ag Mossa punctuates his lyrics with inspired bolts of guitar. And for all the electricity, as Ag Mossa observes, “It’s very traditional if you go deeply into what I’m playing.”Įverything here is focused. “This album evokes all the suffering and manipulation of our populations caught in pincers on all sides.” “Kidal, the cradle of all these uprisings, continues to resist the many acts perpetrated by obscure hands against our people,” notes band associate Rhissa Ag Mohamed. But the dream remains, still trapped between governments and the greed of global corporations. It lasted less than a year, as first al-Qaeda conduits swept in from the north, imposing Islamist rule, and then the French military arrived to liberate the area - once again leaving the Tuareg with little or no chance for self-determination. But for one brief moment they possessed a home after the Tuaregs rose up in 2012 and declared the independent state of Azawad in the northeast of Mali. The Tuareg have always been nomadic people, their lives in motion across the desert, sometimes taking with them only the bare essentials. But many people consider it as just a market to sell to multinational companies, and for me, that is a major threat to the survival of our nomadic people.” “We consider the desert as an area of freedom to live in. “Kidal talks about dignity,” Ag Mossa says. It’s a cry of suffering and the yell of rebellion. It is also the town in which Tamikrest first came together as a group, and on Kidal, Tamikrest’s fourth studio album, the band pays homage to this place that’s nurtured them and their people. Fought over, conquered and re-conquered, it remains the symbol of Tuareg defiance and hope, the spiritual home of a dispossessed people. This is the southwestern edge of the Sahara, the home of the Tuareg people, and the town of Kidal is one of their main cultural centres. Endless horizons of rock and sand, barren and parched. All around Kidal, the Malian desert stretches in every direction.
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